hu !!!!

My new sounds: Little Drangon ” Ritual Union” Crusz Remix (Snippet One)

Un-official Metronomy “Ten Teens” Edit
plz check www.cruszmusic.com
ENJOY !

Brand new mixtape !produced by douster w/ the chilean homeboys of Zonora Point

Download it here, ready for your itunes :

http://tinyurl.com/zpdstrpdp

and if you’re allergic to gunshots / don’t have enough zwag / or if you’re just a dj, download the unmixed tracks here :

http://tinyurl.com/zpdstrpdp-unmixed

Tracklist :
1 - Intro swaggaeton
2 - Que podria ser
3 - El mejor
4 - Empleado del mes
5 - 3000
6 - La chica mas linda
7 - Dame Yerba (Produced by Matenlo)
8 - Algo pasa en el planeta
9 - 4 Days
10 - El Motin
11 - Fuck Paco

Crusz (feat. Nicholas & Audrey Lavergne) ” under my skin” (Volga Select Remix) | CruszMusic

Crusz ” Under My Skin” (Volga Select Remix) AIFF

CRUSZ present June DJ Set // KOROVA 2012: Not my president // Enjoy !! by Cruszmusic on Mixcloud

Rendez-vous !!! 

Longue vie à Street Tease // 

Describe the making of “The Soul Of My Love”
Oh very old memories…! I produced this record with a french artist called Crusz, for a label called “20000 ST”. They just had this hit with Demon, “You’re My High”. We recorded the vocal in Copellia studio in Paris with the singer Mandel Turner (an ex New Yorker from the Paradise Garage), that studio was quite cool as they were producing lots of hiphop records and had good experience in recording vocals. We produced the definitive mix of the record in Crusz studios in the northern Paris suburb (Enghien in the 93 departement). We had quite a huge amount of gear and it was hell to finalize that record, due to all this stuff we had to program around. We had a 32 track mixing desk from Mackie, without any recall possibility and he had a wall of compressors. We used a Macintosh just for Midi sequencing. We didnt had any audio track… even the vocal was totally cutted in the samplers and arranged in the sequencer. And I think we made around 20 final mixes, we couldnt even choose which one was the best in the end, we just took the first one on the digital tape and went to mastering. I still dont know why we took 3 weeks to produce the single, where it could have been only one, but Crusz was a production maniac, and wanted things to be perfect. I learned a lot from him. I was more into “we go fast and release the record”, you know without having the need to think if we would put +1.5 reverb on the snare or +1.8 :-))))) I was used to working like that until “Discopolis.”